After a stage of immateriality, the digital image becomes virtual and it is at this very moment that it becomes erotic – it is invested with desire – before taking another form. One must understand that the images thus produced do not come from the void; they keep traces of former shapes. They maintain the architecture of pre-existing shapes, of referents, however forgotten they may be. They are memories of a primitive visual reality.

The artist uses non-continuous materials (straps, micro perforated plates) and thus masks as much as he reveals. He puts an end to the linearity of the gaze; he disturbs its trajectory. Indeed besides its plastic properties of fragmentation and dispersion, the plate acts as a filter which lets only one part of the image go through, for it divides it and selects what is visible in random fashion therefore creating surprises and unexpected decoupages.